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Jesper Just
Published on the occasion of Jesper Just’s solo exhibition at the Palais de Tokyo, “Servitudes”, 24.06 2015 – 13.09 2015
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In his film work, Jesper Just links images of an exceptional quality to sound and music. Enigmas disrupt the narrative, creating a poetry-liberating tension. The artist leaves spectators with their own doubts and emotions.
The work conceived for the Palais de Tokyo consists of an audiovisual installation and a spatial intervention, which transforms both the space and the visitor’s journey. The One World Trade Center, an iconic and controversial skyscraper, is as much the scene of the films, as a character in itself. It functions as a phantom limb, while also standing for resilience. The films follow two characters: a young girl, who is not an individual but embodies the ideals of youth and feminity conveyed today, and a disabled child. The characters mirror, oppose and interact, to explore themes of ableism and agency as well as the boundaries of body and selfhood.
See more Read an extract
Buy in ePub format
In his film work, Jesper Just links images of an exceptional quality to sound and music. Enigmas disrupt the narrative, creating a poetry-liberating tension. The artist leaves spectators with their own doubts and emotions.
The work conceived for the Palais de Tokyo consists of an audiovisual installation and a spatial intervention, which transforms both the space and the visitor’s journey. The One World Trade Center, an iconic and controversial skyscraper, is as much the scene of the films, as a character in itself. It functions as a phantom limb, while also standing for resilience. The films follow two characters: a young girl, who is not an individual but embodies the ideals of youth and feminity conveyed today, and a disabled child. The characters mirror, oppose and interact, to explore themes of ableism and agency as well as the boundaries of body and selfhood.
Book contents
– “Servitudes”: Jesper Just in conversation with Katell Jaffrès, curator of Jesper Just’s exhibition at the Palais de Tokyo
– “In The Doubling of Dreams”: an essay by Fabien Danesi on Jesper Just’s film work
– Notes on a selection of the artist’s films
About the authors
– Fabien Danesi is an art historian. He’s managing the programme of the Pavillon Neuflize OBC, the research lab of the Palais de Tokyo.
– Katell Jaffrès is a curator at the Palais de Tokyo.
