The exhibition ‘The Cynics Republic’ offers a counter-narrative of the history of performance. It looks at the emergence of ‘performative practice’ from Antiquity onwards and seeks to recover the relevance of the values of ancient cynicism – truth, self-sufficiency, endurance, sobriety and free sexuality – in the context of today’s social and ecological challenges. ‘The Cynics Republic’ offers visitors the chance to experience an exhibition constructed as a score and that will be renewed on a daily basis over the course of three weeks thanks to the use of dematerialized resources (scores, protocols, films and sound pieces) from the national collections of the Centre national des arts plastiques (Cnap) and the Kontakt collection in Vienna. ‘The Cynics Republic’ proposes to approach the resources of these collections from the perspective of a repertoire of immemorial gestures. Works will be activated on a daily basis by artists and performers, with the selection updated according to a weekly theme: dishonour (a critical alternative to competitiveness), shamelessness (an anticipation of a state of nature) and finally destitution (an ethic of animality).

Exhibition score by Pierre Bal-Blanc, featuring pieces from the collections of the Centre national des arts plastiques and Kontakt collection.

Kontakt Video Klub

The “Kontakt Video Klub” has been inspired by the Croatian organization “Kinoklub”. It was founded in Zagreb in 1928 as one of the earliest amateur film clubs in the region. The 1950s saw it become an important venue for screenings and discussions—one that was frequented by renowned Croatian filmmakers like Mihovil Pansini as well as by the performance artist Tomislav Gotovac. As part of the exhibition “The Cynics Republic” at the Palais de Tokyo in Paris and on the occasion of Kontakt’s 20th anniversary, the Kontakt website is featuring its own “Video Klub” with a number of videos and films of the project that will alternate on a weekly basis during the exhibition’s three-week run.