See below

Myriam Mihindou, Ad altiorem memoriam oedipodis [à la haute mémoire], 2022. Exhibition view « Le grand désenvoûtement. Chapitre 1 », Palais de Tokyo (Paris), 2022. Courtesy of the artist & galerie Maïa Muller (Paris) © ADAGP, Paris, 2024. Credit: Aurélien Mole


From 17/10/2024 to 05/01/2025

“Praesentia” (a polysemous title evoking presence, power, and protection) offers a generous unfolding of Myriam Mihindou’s work over the last twenty years, including new productions. The exhibition is particularly interested in the way in which the artist assumes the spiritual and therapeutic, as well as the social and political functions of art, through gestures, forms, and materials.

Some dominant narratives are thus re-read by their margins, making visible bodies, voices, practices, and imaginaries that have long been neglected or minoritised. This exhibition is co-conceived and co-produced with the Crac Occitanie in Sète, to ensure that the works are visible over a longer period of time, and that they are accessible to a wide range of audiences.

FROM 17/10/2024 TO 05/01/2025

Curators Daria de Beauvais (Senior Curator, Palais de Tokyo) and Marie Cozette (Director, Crac Occitanie)

This exhibition is co-conceived and co-produced with

This exhibition is co-produced by AWARE: Archives of Women Artists, Research and Exhibitions as part of the AWARE Prize 2022, in partnership with DCA – Association française de développement des centres d’art contemporain.