At the time of its intervention in the spaces of the Palais de Tokyo, John Giorno, one of the major figures of the New York underground of the 1960s, offers a unique event. Considered one of the most influential contemporary poet, he has developed a polymorphic writing unfolded out of the book, to invest in new areas. It proposes a performed lecture that resonates with its Poem Paintings  where writing is drawing, and the word is image.