Sarah Maldoror’s cinematographic works anchor us in the textures of a time and of a specific geography of struggles deeply linked to each other. We have re-examined the archives through the questions, interests and situations that are ours here and now: from the front lines of the Angolan war of independence to Aimé Césaire’s poetry of Negritude [Blackness], from Maldoror’s paternal Guadeloupe, its tireless social movements and its First Conference of the Last French Colonies, to the unstoppable Kanak liberation movement, from the Paris shantytowns where Portuguese deserters lived, to the internationalist meeting points of leaders like Amilcar Cabral, Marcelino dos Santos and Agostinho Neto.