Edwin Lo (b. 1984, lives and works in Hong Kong) treats sound like “an object of desire, like haunting experiences and memories.” Since 2008, he has been recording sounds on an oil tanker captained by his father that supplies oil to other ships in Hong Kong and the industrial city of Doumen in southern China. Edwin Lo regards the inside of the ship as an instrument and probe that captures the sound of waves splashing against the ship’s hull, the metallic sound of hammers on the ship during repairs and the continuous rumble of mechanical vibrations mixed with snippets of the crew’s conversation. These sounds are the material of a three-month long score created by the artist for “Inside China.” The exhibition space becomes a stage on which “auditory scenes” take place. Comprising moments of silence and variations in volume, the soundtrack interferes with the works of the other artists, creating multiple possibilities for encounters.