Untimely
Kontakt Collection with support of: OCA (Office for Contemporary Art Norway)

AER functions as a lexicon of gestures assembled by moving between selected references from the two collections (KONTAKT & CNAP) and improvised material, through the performer’s personal movement history. AER is interested in the idea of intergenerational modes of memory transmission.

Untimely

Facts and rumours (research in progress)

Courtesy Eva Barto

 

Pad printing on cardboard
Kontakt Collection
Untimely

In his singular artistic practice starting in the early 1960s, Július Koller has deliberately multiplied and varied his works, dignifying worthless objects of common use with his personal signature and thus undermining the art world’s principles and rules or commodity.

Courtesy of the artist and Salle principale, Paris.
Collection Centre national des arts plastiques / FNAC 2022-0117

Glitch
Untimely

OHO by Luka Savić
Untimely

A grid is drawn on the wall with 4 rows at the top and 12 rows at the bottom using black chalk. Four participants draw a line in the square every day. Each day, the participants send a scan of a line in a square via email, which is later drawn on the grid on the wall. The duration of the performance is 12 days with 4 participants (one in Paris, one in America and two in Slovenia).

IKHÉA©SERVICES
Untimely
Centre national des arts plastiques / FNAC 09-235

Untimely
Centre national des arts plastiques / FNAC 2014-0063

Each version of Anthropométrie is announced to visitors by the display of a text that is written by hand on the walls of the site in question: “Several people infiltrate the flow of visitors and the spaces of the museum by anticipating and acting out their movements and their pauses, guided only by the architectural characteristics of the site and the scenography of its spaces.

OHO by Luka Savić
Untimely

A grid is drawn on the wall with 4 rows at the top and 12 rows at the bottom using black chalk. Four participants draw a line in the square every day. Each day, the participants send a scan of a line in a square via email, which is later drawn on the grid on the wall. The duration of the performance is 12 days with 4 participants (one in Paris, one in America and two in Slovenia).

Untimely

Facts and rumours (research in progress)

Courtesy Eva Barto

Untimely
Kontakt Collection with support of: OCA (Office for Contemporary Art Norway)

AER functions as a lexicon of gestures assembled by moving between selected references from the two collections (KONTAKT & CNAP) and improvised material, through the performer’s personal movement history. AER is interested in the idea of intergenerational modes of memory transmission.

Untimely
Centre national des arts plastiques / FNAC 2014-0063

The choreographers respond to an invitation to perform by foregoing their travel and passing on their fee to people living in the country illegally, who are invited to come and perform a dance typical of their cultures in the context of the event.

IKHÉA©SERVICES
Untimely

Courtesy of the artist and Salle principale, Paris.
Collection Centre national des arts plastiques / FNAC 2022-0117

Untimely
With support of: OCA (Office for Contemporary Art Norway)

AER functions as a lexicon of gestures assembled by moving between selected references from the two collections (KONTAKT & CNAP) and improvised material, through the performer’s personal movement history. AER is interested in the idea of intergenerational modes of memory transmission.

Untimely

Facts and rumours (research in progress)

Courtesy Eva Barto

Pad printing on cardboard
Kontakt Collection
Untimely

In 1965, Július Koller introduced his “Anti-happening” series and soon turned it into a permanent process of demystifying the institution of socialist culture. His dialectical language games, which he distributed as notices—text cards with stamped letters—were disseminated via the mail.

Untimely
Centre national des arts plastiques / FNAC 2014-0063

The choreographers respond to an invitation to perform by foregoing their travel and passing on their fee to people living in the country illegally, who are invited to come and perform a dance typical of their cultures in the context of the event.

Courtesy of the artist and Salle principale, Paris.
Collection Centre national des arts plastiques / FNAC 2022-0117

Glitch
Untimely

OHO by Luka Savić
Untimely

A grid is drawn on the wall with 4 rows at the top and 12 rows at the bottom using black chalk. Four participants draw a line in the square every day. Each day, the participants send a scan of a line in a square via email, which is later drawn on the grid on the wall. The duration of the performance is 12 days with 4 participants (one in Paris, one in America and two in Slovenia).

OHO by Luka Savić  

A grid is drawn on the wall with 4 rows at the top and 12 rows at the bottom using black chalk. Four participants draw a line in the square every day. Each day, the participants send a scan of a line in a square via email, which is later drawn on the grid on the wall. The duration of the performance is 12 days with 4 participants (one in Paris, one in America and two in Slovenia).

Untimely
Centre national des arts plastiques / FNAC 2014-0063

The choreographers respond to an invitation to perform by foregoing their travel and passing on their fee to people living in the country illegally, who are invited to come and perform a dance typical of their cultures in the context of the event.

Untimely

Facts and rumours (research in progress)

Courtesy Eva Barto

Courtesy of the artist and Salle principale, Paris.
Collection Centre national des arts plastiques / FNAC 2022-0117

IKHÉA©SERVICES
Untimely

Untimely
With support of: OCA (Office for Contemporary Art Norway)

AER functions as a lexicon of gestures assembled by moving between selected references from the two collections (KONTAKT & CNAP) and improvised material, through the performer’s personal movement history. AER is interested in the idea of intergenerational modes of memory transmission.

Untimely
With support of: OCA (Office for Contemporary Art Norway)

AER functions as a lexicon of gestures assembled by moving between selected references from the two collections (KONTAKT & CNAP) and improvised material, through the performer’s personal movement history. AER is interested in the idea of intergenerational modes of memory transmission.

Untimely

Facts and rumours (research in progress)

Courtesy Eva Barto

Pad printing on cardboard
Kontakt Collection
Untimely

Starting in 1970, Koller became the subject of a series of annual portraits known as “U.F.O.-naut J.K.” Koller’s strategy of using real objects, the real world, and everyday life as a given program for displacement gained particular attention; a strategy intended to put an end to aesthetics and to create a “new cultural situation,” resulting in a “new life, a new creativity, and a new Cosmohumanist Culture.”

Courtesy of the artist and Salle principale, Paris.
Collection Centre national des arts plastiques / FNAC 2022-0117

IKHÉA©SERVICES

IKHÉA©SERVICES
Untimely