An instinctive and cathartic experience linked to a sense of urgency, Bless the sound that saved a Witch like me is a performance that takes place amidst the context of our ongoing geopolitical, ideological and ecological crises. Whether filled with rage, pleasure, pain or silence, a scream is a powerful and deeply intimate act. It provokes an instantaneous empathy that also summons our most shared and instinctive feelings. It is a crack in space-time and makes us listen to silences anew. The second part of a trilogy, this piece is a solo for and with the dancer and performer Sati Veyrunes.
A package is available including a ticket for the performance as well as for the workshop.
With the support of: Centre Wallonie-Bruxelles / Paris and as part of its Hors-Les-Murs Constellations
Conception, choreography : Benjamin Kahn
Creation, interpretation : Sati Veyrunes
Music : Lucia Ross
Light design: Nils Doucet
Costume design : Carolin Herzberg
Assistant dramaturg : Théo Aucremanne
Texts : Benjamin Kahn inspiré directement par Pier Paolo Pasolini, Death Grips, Darek Jerman, MAVI.
Residence : Festival de Marseille / CND / Klap Maison pour la danse / Kaiitheater / BUDA Kunstencentrum
Coproduction : Klap Maison pour la danse, Charleroi Danse, Les Halles de Schaerbeek.