In the Palais de Tokyo’s forest of columns, a long, high, narrow passage can be made out, like a water course separated by two cliffs. It is the Trois Conversations space. Talk, look together, kiss: in three stopover points amid the flow of the public. Three light skiffs with colourful, festive coverings. Moored here, or there, they offer journeys with another, and spaces for daydreaming. Above these comfortable surfaces, masts have been erected, holding up a mesh of woven lines and circles. Conical forms rise like yacht sails and then metamorphose into a graphic semi-transparency.

Conceived as a convivial place, one of the Three Conversations is a settle equipped with a projection screen. Palais de Tokyo has invited Jacques Lizène (born in 1946, lives and works in Liège) to show some of his video pieces there:o :

1. Tracking-shot on a wall (I shall not procreate), 1971
   Initial title: Jacques Lizène 1971, “Wall”. Transferred 8mm film. 00:02:56. Ed. Yellow. Courtesy of the gallery Nadja Vilenne, Liège
2. Interruption of light, 1971
   Black-and-white, silent, transferred 8mm film. 00:03:39. Ed Yellow. Courtesy of the gallery Nadja Vilenne, Liège
3. AGCT (base acids), Genetic sculptures, 1971, genetic music 1987,2001 remake
   Colour video, sound, 00:01:16.  Computer graphics and digital editing: Dominique Castronovo. Mixing and digital sound: Bernard Secondini. Pre-mixing: Jean Marc Sulon. Réalisation AVCAN. Courtesy of the gallery Nadja Vilenne, LiègeInflatable Ahahaharchitectures, virtual museum, 2012 remake
4. Inflatable Ahahaharchitectures, virtual museum, 2012 remake
   Video, colour, sound, 00:11:48. Computer graphics and digital editing: Dominique Castronovo. Sound track with music by Jacques Lizène. Produced by AVCAN. Courtesy of the gallery Nadja Vilenne, Liège
5. Piece for backwards music, 1979, 2012 remake, performance.Edaneres de Navnevohteeb Giwdul, for violins and double bass.
   HD video, colours, sound, rushes of 1 shot performance, 00:17:32. Produced by AVCAN, 2012. Production by the gallery Nadja Vilenne. Courtesy of the gallery Nadja Vilenne, Liège